‘The Crucifixion’ (1926), David Jones. Private Collection. © Trustees of the David Jones Estate Imelda Barnard 5 January 2015 Share Twitter Facebook LinkedIn Email Share Twitter Facebook LinkedIn Email Recommended for you The frustrations and triumphs of Ian Hamilton Finlay’s career An exhibition at Kettle’s Yard provides an opportunity to revisit the poet and sculptor’s career, and his letters Dual Identity: ‘Postface’ by Walid Raad at Sfeir-Semler Gallery Two of Raad’s career-defining projects reveal the balance of rigorous research and subtle wit that informs his work 12 Days: Highlights of 2015 Maggi Hambling grapples with war, Jo Baer’s dream-like paintings and a rethinking of classical art Leave a comment Cancel replyYour email address will not be published. Required fields are marked *Comment * Name * Email * Save my name, email, and website in this browser for the next time I comment. Δ
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