In his mid twenties, Homer worked for Harper’s Weekly, sketching the soldiers of the Civil War as illustrations for reports. These drawings are shown in this exhibition alongside later oils and watercolours, revealing how Homer’s years as a war artist informed his understanding of perspective. Find out more from the Harvard Art Museums website.
Preview the collection below | View Apollo’s Art Diary here
![Sea Garden, Bahamas (1885), Winslow Homer.](http://www.apollo-magazine.com/wp-content/uploads/2019/08/Homer_SeaGardenBahamas_1943.303_73977_PR-copy.jpg?resize=730%2C446)
Sea Garden, Bahamas (1885), Winslow Homer. Photo: Harvard Art Museums; © President and Fellows of Harvard College00
![The Lookout (1882), Winslow Homer.](http://www.apollo-magazine.com/wp-content/uploads/2019/08/Homer_TheLookout_1939.231_73365_PR.jpg?resize=730%2C486)
The Lookout (1882), Winslow Homer. Photo: Harvard Art Museums; © President and Fellows of Harvard College
![Pitching Quoits (1865), Winslow Homer.](http://www.apollo-magazine.com/wp-content/uploads/2019/08/Homer_PitchingQuoits_1940.298_50952_PR-copy-e1566555673725.jpg?resize=723%2C352)
Pitching Quoits (1865), Winslow Homer. Photo: Harvard Art Museums; © President and Fellows of Harvard College
![Prisoners From the Front (1866), Winslow Homer.](http://www.apollo-magazine.com/wp-content/uploads/2019/08/Homer_PrisonersFromFront_Hom1_LEG270275_PR-copy.jpg?resize=730%2C461)
Prisoners From the Front (1866), Winslow Homer. Photo: Harvard Art Museums; © President and Fellows of Harvard College
In defence of the outsider artist