‘Farm at Watendlath’ (1921), Dora Carrington, © Tate, London 2014 Lucy Rogers-Coltman 17 July 2014 Share Twitter Facebook LinkedIn Email Share Twitter Facebook LinkedIn Email Recommended for you The Quiet Biennale: the Eighth Berlin Biennale is deliberately introspective Some exhibitions disappoint by design… The Week’s Muse: 19 July Should photography be allowed in museums? Are the decorative arts in decline? Would you download a work of art? Jerwood Makers Open 2014 ‘Jerwood Makers Open’ recognises rising stars in the world of applied arts Leave a comment Cancel replyYour email address will not be published. Required fields are marked *Comment * Name * Email * Save my name, email, and website in this browser for the next time I comment. Δ
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