‘Ramah (Rachel’s Tomb)’ (c. 1835), J.M.W. Turner. Donated by E.L. Hartley. Blackburn Museum and Art Gallery Maggie Gray 30 January 2015 Share Twitter Facebook LinkedIn Email Share Twitter Facebook LinkedIn Email Recommended for you Honesty or artifice? Self-portraits at Turner Contemporary Female artists are well represented in this show; a deliberate strategy that prompts a more critical questioning of the genre Gallery: ‘Poetry of the Metropolis’ at the Schirn Kunsthalle Frankfurt A celebration of the tattered, torn and pioneering work of the Affichistes Muse Reviews: 1 February Flesh and sex – the legacies of Rubens and Sade; two views of the 20th century’s torn and tattered art; and the story of Lancashire’s philanthropic industrialists Leave a comment Cancel replyYour email address will not be published. Required fields are marked *Comment * Name * Email * Save my name, email, and website in this browser for the next time I comment. Δ
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