‘Man at the Crossroads’ (1932), Diego Rivera. Museum of Modern Art, New York/Licensed by SCALA/Art Resource, NY Maggie Gray 8 March 2015 Share Twitter Facebook LinkedIn Email Share Twitter Facebook LinkedIn Email Recommended for you When was the avant-garde? The term ‘avant-garde’ has shifted meaning from its military roots to the byword for artistic innovation. How should we apply it to art history? American painting in Paris: the Louvre’s focus on US still-lifes The genre took a while to catch on in America, but when artists did take up still-life painting they made it their own London Diary: 8 March Mary Moore vs the YBAs; this month’s most covetable exhibition catalogue; and Alex Katz’s trousers Leave a comment Cancel replyYour email address will not be published. Required fields are marked *Comment * Name * Email * Save my name, email, and website in this browser for the next time I comment. Δ
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