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Women artists get a raw deal in historical collections. Will that ever change?
The imbalance seems historically ingrained. But surely museums could do more to explain it
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‘View’ Part Two: what to expect from this year’s art history festival
We spoke to Adélia Sabatini and Joséphine Seblon about the programme
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Review: ‘Human Rights Human Wrongs’ at The Photographers’ Gallery
Can photography influence social and political events, or just record them?