‘Reclining Woman’ (1917), Egon Schiele. Image courtesy of the Leopold Museum, Vienna Imelda Barnard 19 August 2014 Share Twitter Facebook LinkedIn Email Share Twitter Facebook LinkedIn Email Recommended for you Review: ‘Syria’s Apex Generation’ at Ayyam Gallery How does an art scene evolve if its founding location becomes a war zone? First Look: ‘Sympathy for the Devil’ at the Cantor Arts Center A new exhibition at Stanford University looks at the changing face of the devil in art ‘It’s a building that only reveals itself by experience’. Inside the Clark Art Institute After its long-awaited redevelopment, the Clark has unveiled an impressive new building designed by Tadao Ando alongside refurbished galleries by Annabelle Selldorf Leave a comment Cancel replyYour email address will not be published. Required fields are marked *Comment * Name * Email * Save my name, email, and website in this browser for the next time I comment. Δ
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