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‘Duplicity as Identity: 10%’ (2008–9), María Martínez-Cañas. Courtesy Frederic Snitzer Gallery, Miami and Julie Saul Gallery, New York

16 August 2014

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Apollo December 2024

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Masterpiece [Re]discovery 2022. Photo: Ben Fisher Photography, courtesy of Masterpiece London

The Masterpiece podcast: episode three

This episode explores an ancient funeral stele, Marie Antoinette’s breast bowl, and how digital technologies are helping to preserve Egyptian heritage sites

Art news daily

UK signs cultural deals with Saudi Arabia

UK government won’t prevent Parthenon marbles being loaned to Greece

Slovak National Gallery’s department heads resign – with 177 staff threatening to follow

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What happens when an artist wants to be anonymous?

Pilgrims’ progress? The Vatican Jubilee has frustrated Romans and tourists alike

What painters and anatomists have in common

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