‘Duplicity as Identity: 10%’ (2008–9), María Martínez-Cañas. Courtesy Frederic Snitzer Gallery, Miami and Julie Saul Gallery, New York Maggie Gray 16 August 2014 Share Twitter Facebook LinkedIn Email Share Twitter Facebook LinkedIn Email Recommended for you Review: ‘Syria’s Apex Generation’ at Ayyam Gallery How does an art scene evolve if its founding location becomes a war zone? Book Competition The Scottish National War Memorial, which stands within the walls of Edinburgh Castle, was built to commemorate the dead of the Great War The Week’s Muse: 16 August Are art installations the new video games? Are adverts the new art installations? News and comment from the Muse Room… Leave a comment Cancel replyYour email address will not be published. Required fields are marked *Comment * Name * Email * Save my name, email, and website in this browser for the next time I comment. Δ
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