‘Duplicity as Identity: 50%’ (2008–9), María Martínez-Cañas. Cricket Taplin Collection Maggie Gray 16 August 2014 Share Twitter Facebook LinkedIn Email Share Twitter Facebook LinkedIn Email Recommended for you Gallery: ‘African Cosmos’ at LACMA How has the night sky influenced African art over the centuries? Gallery: Olafur Eliasson turns Louisiana MoMA into a ‘Riverbed’ Eliasson’s new installation at the Louisiana Museum of Modern Art lets a river overrun the gallery Art Outlook: 14 August Ukraine museums move to protect their collections; auction houses move online; and robots move in to the Tate Leave a comment Cancel replyYour email address will not be published. Required fields are marked *Comment * Name * Email * Save my name, email, and website in this browser for the next time I comment. Δ
![Masterpiece [Re]discovery 2022. Photo: Ben Fisher Photography, courtesy of Masterpiece London](http://www.apollo-magazine.com/wp-content/uploads/2022/07/MPL2022_4263.jpg)