‘Icon of Christ Enthroned’ (1893), Alexander Golovin and Elena Polenova © Vasily Polenov Fine Art Museum and National Park Maggie Gray 13 November 2014 Share Twitter Facebook LinkedIn Email Share Twitter Facebook LinkedIn Email Recommended for you Among the poppies: volunteering at the Tower of London’s war memorial Paul Cummins’ red field of poppies has been planted by volunteers, and is still growing ‘Silent Partners’: mannequins at the Fitzwilliam Museum How have artists used mannequins and dolls to manipulate their audiences? Lost in Fathoms: Anaïs Tondeur Tondeur’s work is rigorously scientific, but that doesn’t blunt its emotional impact Leave a comment Cancel replyYour email address will not be published. Required fields are marked *Comment * Name * Email * Save my name, email, and website in this browser for the next time I comment. Δ
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