Quite mad and a little indecent’ – the complete works of Aubrey Beardsley
The first catalogue raisonné of Aubrey Beardsley's works is a triumph – and a treat to pore through
The first catalogue raisonné of Aubrey Beardsley's works is a triumph – and a treat to pore through
The artists providing airline security, an Olympic art blooper and looking for the Mona Lisa at the National Gallery
What lies behind the growth of the auction house private sale, and what are its ramifications for collectors and the wider art market?
Clinton trumps her rival when it comes to backing the arts, but she may not be so keen on her recent appearance in a Melbourne mural
A year-long collaborative project at Somerset House celebrates the 500th anniversary of Thomas More's famous work
The writer has deployed the deadpan satirical streak that runs through his novels to defy the rules of contemporary art
Damien Hirst's recently opened Newport Street Gallery joins a long list of galleries founded by artists
Takesada Matsutani is one of the surviving members of the avant-garde Gutai group. He explains how its influence is everywhere in his work
The Mexican artist discusses his work, his experimental education and the importance of tools, as his solo exhibition opens at Fruitmarket Gallery
Forming a corporate art collection is easy, but keeping it together is hard – and selling it is even harder.
The new prime minister's rehang of 10 Downing Street will apparently see artworks replaced with quotations from her first speech in office
Art News Daily : 25 July
The Ateneum holds the Finnish national art collection from the mid 18th century to 1960, but only a sixth of its works are on display.
A 'cubist' computer game; vegan art; and Matt Hancock gets to grips with being culture minister
Taking Shakespearean architecture seriously means looking beyond 'Olden Time' Tudor revival buildings
A welcome exhibition of the Indian artist's work reveals how he found inspiration in even the smallest of details
Our regular round-up of art market news and comment
Tate's 'Conceptual art in Britain' show is remarkably dense and text heavy, but then how could it be anything else?
The sociopolitical slant of this year's event has added weight in light of the Brexit vote. Can a city's regeneration be artist-led?
How did a minor Greek dynasty create one of the greatest sites of Hellenistic art?