Cover Story: February Apollo
Our February cover ties in with Katy Barrett’s feature article on the resurgent interest in the cabinet of curiosities...
Our February cover ties in with Katy Barrett’s feature article on the resurgent interest in the cabinet of curiosities...
‘I do not want art for a few any more than education for a few, or freedom for a few'. The William Morris Gallery hosts Jeremy Deller's playful, provocative, politicised art
Digital work by the likes of Michael Craig-Marin, Matthu Placek and David Michalek is changing the face of contemporary portraiture
This Saturday Apollo hosts a panel discussion at the London Art Fair on ‘Building and the Landscape in Modern British Painting’
The authors of 'Emerald' present a sparkling visual and social history of the precious stone in this ambitious new publication
As the Turner Prize winner is announced in Derry, 'Bloomberg New Contemporaries' at London's ICA seeks out tomorrow's big names
Are steel balloons the new tulip paintings?
Is the huge cache of art discovered recently in Cornelius Gurlitt’s Munich flat in safe hands?
The queen's portraits in 'Elizabeth I & Her People' are among the least interesting in the NPG's revealing exhibition of Tudor art
The display of erotic art from other traditions, be they Greco-Roman or Japanese, should make us think about what it meant to its original audiences
Rachel Whiteread's 'House' was unveiled 20 years ago today. It stood for barely three months, but its influence endures
Enter before 1 November for a chance to win a copy of 'The Young Dürer: Drawing the Figure', from the Courtauld Gallery
Gemma Blackshaw, guest curator of 'Facing the Modern: the Portrait in Vienna 1900' at the National Gallery in London, speaks to Apollo
A new Titian is a rare thing indeed; and it certainly looks good enough to be true
A new book on Augustus Saint-Gaudens’ memorial to Colonel Robert Gould Shaw and the 54th Massachusetts Infantry sheds light on its legacy and shortcomings
There's history behind the V&A's 'Pearls' exhibition, its partnership with the Qatar Museums Authority, and its aptly-named sponsor, Shell
The 'Larrikins', counter-culture and psychedelic Smartiples: an alternative look at Australian art in London
This month's book competition offers you the chance to win the 'Masterpieces: Art and East Anglia' exhibition catalogue, edited by Ian Collins
Laura Knight is undoubtedly an important figure in British art and history; she's just not a particularly inspiring painter
Peter Crack on why a picture is worth a thousand words...