‘Reclining Figure in Dark Landscape’ (1979-80), Henry Moore. Photo: The Henry Moore Foundation archive Imelda Barnard 25 March 2015 Share Twitter Facebook LinkedIn Email Share Twitter Facebook LinkedIn Email Recommended for you Unseen: The Lives of Looking by Dryden Goodwin Dryden Goodwin’s enigmatic film grapples with history and identity Gift-giving: Lynda Benglis at the Hepworth Wakefield It is satisfying to see Benglis finally given proper recognition in the UK This Week’s Muse: 28 March Museum of London to move to Smithfield; fresh perspectives on Henry Moore and Basquiat; spotlight on education in museums; Asian art at the Met Leave a comment Cancel replyYour email address will not be published. Required fields are marked *Comment * Name * Email * Save my name, email, and website in this browser for the next time I comment. Δ
![Masterpiece [Re]discovery 2022. Photo: Ben Fisher Photography, courtesy of Masterpiece London](http://www.apollo-magazine.com/wp-content/uploads/2022/07/MPL2022_4263.jpg)