The historian of 18th- and early 19th-century art combined a deep love of objects with an equally deep love of ideas
A personal tally of finding the magazine’s readers in films, television and fiction – and among the Rolling Stones
A look back at Apollo’s commercial pages through the decades reveals shifts in consumer tastes – as well as some distinctly quirky offerings
This magazine’s first home, the Adelphi was both a neoclassical triumph and a financial disaster for ‘Bob the Roman’
The artist works in near silence on her hyperreal paintings in her Berlin studio, which she keeps as empty as possible
Hiroshige’s playful prints conjure the landscapes of 19th-century Japan in jewel-like tones
In her inventive works, the late American artist sought to blur the boundaries between herself and her characters, both real and imagined
The Virgin Queen was not known for her cookery skills, so why was she often painted holding a sieve?
Chardin’s luscious still life of fruit and Guercino’s commanding King David are among last month’s most significant museum acquisitions
To celebrate World Oceans Day, we dive into four artworks that celebrate the blue planet’s beauty, biodiversity and bottomless capacity for artistic inspiration
The sculptor prefers not to have visitors in her sunlit studio in Brooklyn, where she tests materials and rereads books that have influenced her
When painting her gelatinous desserts, the artist is surrounded by jelly moulds, jellies and even a mummified mouse for company
Apollo celebrates its centenary
Up and away: the art of the Ascension
Ruth Asawa: wired for art
Has the QR code had its day?
Plus: the artists who have bared all, the Michael C. Rockefeller Wing at the Met, Gertrude Stein’s museum of modern art, Elizabeth I’s favourite kitchen utensil, how Jenny Saville turns paint into flesh, and a preview of Treasure House Fair; in reviews: Hiroshige in London, Frida Kahlo and Mary Reynolds in Chicago, and art versus AI
Housed in Louis Kahn’s last building, the newly spruced-up Yale Center for British Art reframes Paul Mellon’s collection
The modernist potter was one of a handful of British ceramicists who pushed clay to its expressive limits
With parents who had been notable collectors, the émigré art historian knew the work of many of his subjects intimately
Revisiting a meeting of the two Surrealists in Paris in 1939 sheds new light on the movement as a whole
The museum’s refurbished galleries of art from Africa, Oceania and the Americas now have the prominence they deserve
High fashion meets fine art for the first time in an exhibition at the Paris museum. With so much to see, it‘s hard to know where to look
‘Feel the Sound’ makes imaginative use of the brutalist building to convey the power of sound, but sometimes silence can be just as effective
As her largest museum show to date opens, the Scottish artist talks to Samuel Reilly about her tender paintings of women at work
Inger Christensen’s reissued take on the artist’s time at the Gonzaga court is as experimental as his work would have seemed to contemporaries
Sixty years after the film’s release, locals are still surprised by visitors re-enacting a few of their favourite things
In her book, ‘Frieze Frame’, A.E. Stallings collects the responses of poets and artists to the marbles since the early 19th century. She tells Apollo why they now deserve a new lease of cultural life
The Fondation Beyeler presents paintings, sculptures and hyper-realistic drawings by the Latvian American artist
At the Frick, three enigmatic paintings by the Old Master capture the nuances of the relationship between women of status and their maids
The public and Royal Academicians alike can submit work to the world’s longest-running open exhibition
A survey at the National Portrait Gallery in London explores the artist’s bracingly conceptual approach to painting
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Apollo at 100
As the magazine marks its centenary, its belief in being curious about both the past and present – and in the power of art – is more important than ever