Objects made for the city’s most important families were full of mythological and biblical figures and scenes – and this erudite exhibition aims to recreate their original settings
‘Coyote vs. Acme’ is a satire about modern corporate capitalism that was almost never released because of, well, modern corporate capitalism. But it also harks back to more epic tales of struggle
The artist’s catastrophic mental breakdown as a young man meant that he spent the rest of his life in confinement. His paintings, however, are among the most powerful of the age
A major retrospective at Tate Modern reveals an artist whose talent burns more brightly than ever
Post-war museum staff had to keep pace with a world in which Britain’s standing was rapidly changing and their efforts were met with varying degrees of success
As capital punishment became ubiquitous in the 18th-century, artists were increasingly influenced by the macabre spectacle
In Arles, the Uzbek artist Saodat Ismailova takes us into the world’s largest walnut forest, and explores the spell-binding power of ideology before and after the fall of the Soviet Union
While Capability Brown achieved a natural look with great artifice in England, French landscape gardens were overtly experimental fantasies
Art historians have often looked down on 19th-century fashion, but fine artists were heavily influenced by the early days of the luxury industry
The architects of Britain and Ireland’s best-loved buildings have received a good deal of attention, but what about the men who built them?
The singular paintings of one of the unshowier School of London painters are ripe for discovery
Her use of textiles means that Albers is often seen as a decorative or craft artist. But what if we regard her work as abstract art with a genuinely wide appeal?
An exhibition at the Box in Plymouth brings renewed attention to the British artist’s colourful, cacophonous paintings
What happened to artefacts in museums before they went on display? A lively new study gives us the fuller picture
The sculptor used vivid hues sparingly and to powerful effect – an aspect of her work that has eluded critical attention until now
Michael Hall’s new book explores the role played by queer culture in preserving country houses for the public
The Spanish baroque master’s magnetic paintings get their moment in the London sun
Barnaby Phillips’s new book follows the many twists and turns of the royal treasures Britain took from the Asante kingdom
The C Comics drawn by the artist with words by New York School writers are a call to unconformity
A revelatory exhibition at the Prado explores a neglected period of cultural and artistic exchange during the 14th century
Peter Burke’s cultural history of the connoisseur considers the complex past and current relevance of a strangely elusive figure
The New Museum has reopened with an extravaganza of a show that seems more excited than afraid about the blurring of lines between man and machine
Asta Nørregaard was part of a coterie of women artists at the forefront of progressive artistic and social movements in late 19th-century Norway but, above all, she was determined to paint as she pleased
The Berlin-based dealer Paul Cassirer introduced French Impressionism to German collectors and museums before doing the same for the German artists of his day
