Ranging from moving image to photography and installation, Aziz Hazara is fast becoming one of his generation’s most urgent voices on questions of migration, surveillance and the legacies of conflict that are becoming more urgent by the day. Hazara was born in Wardak province in central Afghanistan, a mountainous region where he has made some of his most arresting work. Bow Echo (2019) is a five-screen installation in which five boys, one on each screen, scramble up a wind-blasted rock to play a plastic kazoo, Kabul spread out like a carpet far beneath them as violent gusts all but drown out their playing. His two-channel work Dialectic (2016/24) sets footage of military operations against scenes of soldiers flying kites and swinging from aircraft. Earlier this year Hazara won the Sharjah Biennial Prize for filmed works that depict the material legacy of the American presence in Bagram.