P. Staff has built up a bracing body of film work and performance art over the last 15 years. Weed Killer (2017) is one memorable example, a 17-minute film that uses thermal imaging to suggest how dangerous agents in our bodies – be they cancerous cells or chemotherapeutic substances – are both mysterious and disconcertingly mappable. P. Staff has had solo shows at the Irish Museum of Modern Art in Dublin, the Museum of Contemporary Art in Los Angeles and Chisenhale Gallery in London; their exhibition at the latter in 2015 combined documentary footage of the Tom of Finland Foundation in LA with choreographed sequences, positioning the Finnish artist as a central node in a community that spans generations and geographies. Their work is a celebration of the art world’s communitarian potential, as well as an assertion of the validity of queer subjectivity and desire.