Still in his thirties, Adam Levine was appointed director of the Toledo Museum of Art (TMA) in 2020. He has since overseen exhibitions on everything from Marisol and Wayne Thiebaud to Indigenous art of the 18th century, as well as the revelatory exhibition ‘Ethiopia at the Crossroads’, co-organised with the Walters Art Museum (Apollo’s Exhibition of the Year in 2024). A specialist in ancient art by training – from 2012–18 he served as the museum’s curator in that field – Levine has also cultivated a particular interest in the intersection of art, science and mathematics; he has launched TMA Labs, an in-house consultancy designed to establish his museum at the forefront of debates regarding the use of data, Web3, AI and other emerging technologies in the sector, as well as instigating a digital artist-in-residence programme. Perhaps his most significant coup in this regard is ‘Infinite Images: The Art of Algorithms’, the most ambitious survey of its kind to date, spanning six decades through the work of 24 artists. Levine has grown TMA’s operating budget from $15m to $23m and expanded its endowment by more than $100m.