Digby Warde-Aldam is a freelance writer based in Paris.
Launched just months before the outbreak of war, Vorticism was ill-timed and short-lived. But it's a vital chapter in the history of British art
This exhibition about Clemenceau's enthusiasm for Asian art is little short of revelatory
Something had clearly gone very right at Art13 last year – Art14, its successor, was positively rammed on its opening night
'View Festival' in London was a great success: it seems bizarre that nothing like this has ever taken place in the city before
George Condo is hot property right now, with two new solo exhibitions about to open in London. Does his new work live up to the hype?
And thus it came to pass. 'Really Good' will take up its position in 2016...10ft tall and hollow in every sense
The Expedition in Pursuit of Rare Meats at Tate Britain's restaurant is more inviting than ever...
Absurdist, accessible and completely unmistakeable, Brand Shrigley is everywhere, and more power to him – within reason...
Rachel Whiteread's 'House' was unveiled 20 years ago today. It stood for barely three months, but its influence endures
There are noble ideals (and some interesting artists) at work, but The Other Art Fair and Moniker's crowded display doesn't give the art a chance
