Digby Warde-Aldam is a freelance writer based in Paris.
Ravilious is bonkers and brilliant in Dulwich; Space sparkles at Daniel Blau; and is 'Woman in Gold' so bad it's good?
Tracey Emin's bed, Isa Genzken's money, NS Harsha's space cows, and Roger Ackling's 'Simple Gifts'
Traces of the World Trade Centre in London; counterculturalism and Robert Fraser; and Hauser & Wirth's space in Somerset
Personal favourites from Maastricht, including an ancient Egyptian fragment and an unfinished old master painting
Mary Moore vs the YBAs; this month's most covetable exhibition catalogue; and Alex Katz's trousers
Digby Warde-Aldam explores what London has to offer, from contemporary abstract painting to Sargent's most disquieting portraits
Fifty exhibitions in as many weeks; this revival of the 'fig-1' project from 15 years ago is a surprising success
The Crypt Gallery in St Pancras Church is overrun with cosmopolitan chickens. Is it art?
Music, dancing robots, 19th-century algorithms: Shawcross's latest project was ambitious, but was it worth it?
Frieze week takes it out of you alright, but there has been some seriously good stuff on show
