Emma Crichton-Miller is a freelance journalist and an Apollo columnist
As museums make promises to return looted works of art, provenance is now of paramount importance in the market
Rubens may dominate the field, but there are other names worth seeking out – and plenty of surprises to be found
Silversmithing has had a turbulent history on the Iberian Peninsula. The market is quiet, but showing new signs of life, says Emma Crichton-Miller
It isn't easy to define a made-in-Britain equivalent to the Paris Surrealists, but collectors are increasingly drawn to the uncanny side of British modernism
From famille-verte vases to contemporary ink paintings – Emma Crichton-Miller selects her highlights from this year’s event
From Mughal manuscripts to contemporary Sri Lankan painting – Emma Crichton-Miller selects her highlights from this year’s event
With its gorgeous, shimmering colours, Tiffany glassware has a well-established market in the US – but be sure you're buying the real deal
This year’s event has come up with a hybrid model that puts the focus firmly on galleries
With splendid examples of illumination accompanying early musical notation, medieval choir books are highly prized by collectors around the world
Themes of exile and migration thread their way through the works in the main exhibition, national pavilions, and elsewhere