Fatema Ahmed is deputy editor of Apollo.
In her book, ‘Frieze Frame’, A.E. Stallings collects the responses of poets and artists to the marbles since the early 19th century. She tells Apollo why they now deserve a new lease of cultural life
An exhibition of the Dutch paintings the 1st Duke of Wellington purchased in Paris reveals another aspect of an extraordinary life
Owen Hatherley talks to Apollo about his new book, ‘The Alienation Effect’
Rachel Cohen talks to Apollo about the reissue of ‘A Chance Meeting’, her inventive account of more than a century of artistic endeavour in the United States
A leading dealer in Indian paintings and textiles, she also has an extensive collection of 20th-century haute couture – and the two seem to go together nicely
The artist has pursued her interest in light, motion and myth across drawing, sculpture and performance for six decades, but it's her openness to new ideas that really defines her work
As the Metropolitan Museum of Art enters a new era, its past decisions are still sending ripples into the present, so what does the future hold?
One Woman Show is a novel about a socialite’s progress through the 20th century, told in the style of wall labels you might find at the Met
The adjective 'Rubenesque' was coined in the 19th century, but there’s rather more to the female figures in his paintings than acres of flesh
The theft of 2,000 items is a scandal that points to wider failures of leadership and oversight. So can the museum right what has gone wrong by itself?
