Haute couture and holy robes at the Met
High fashion turns out to be no match for some lavish loans from the Vatican
‘I always felt that paintings had a lot of ego’
R.H. Quaytman talks to Apollo about the problems and possibilities of painting
The menacing charm of Marisa Merz
The playful sculptures and paintings of the only woman in the Arte Povera movement have a distinctly steely edge
Committed to memory: the art of Doris Salcedo
Doris Salcedo makes monuments to the victims of political violence – out of chairs, sewing needles, and rose petals.
Robert Ryman and the many shades of white
An exhibition of Ryman’s eerie paintings in New York rewards repeated viewings
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What happens when an artist wants to be anonymous?