Matilda Bathurst is a freelance writer on arts and books @MatildaBathurst
'The Show is Over' at Gagosian Gallery, where painting's elaborate deferrals of its death-scene extend like a multi-volume suicide note
Alan Sorrell's neo-Romantic work is an antidote to today's conceptual art, and perfectly suited to Sir John Soane's Museum
'Paul Klee: Making Visible' at Tate Modern is rigorous but incurably serious – is it the right setting for such complex and colourful work?
Frida Kahlo and Diego Rivera make awkward companions at a nonetheless important Paris exhibition
Jordaens has languished in the shadow of Rubens and Van Dyck, but an exhibition at the Petit Palais brings the artist back into the spotlight
'Désirs et Volupté', a selection of Victorian art from the Pérez Simón collection at the Musée Jacquemart-André, won't be to everyone's taste
