Michael Prodger is a senior research fellow at the University of Buckingham and art critic for the New Statesman
The museum in the south of France has spruced up its galleries dedicated to Ingres and now has an entire floor of sculptures by Bourdelle
The jewel in the crown of the city’s palatial complex of museums now shows off its masterpieces to even better effect
Denmark was beset by catastrophes in the early 19th century – but its painters flourished
An exhibition of drawings at the Louvre reflects the artist’s struggle between his warring inclinations
Italian artists have been neglected in histories of the pan-European movement
The Centraal Museum is raising its profile with a show devoted to the Utrecht Caravaggisti – but it remains firmly grounded in the city
Religious art didn’t die out in the 18th century – Parisian churches are full of large-scale baroque paintings
