Morgan Falconer is the programme director of the MA in contemporary art at Sotheby’s Institute of Art in New York.
The artist’s early paintings were a necessary preparation for his pioneering less-is-more installations
The Art Students League of New York has trained many a great painter and is still going strong on its 150th anniversary
Housed in Louis Kahn’s last building, the newly spruced-up Yale Center for British Art reframes Paul Mellon’s collection
Whether Orphism can be called a coherent movement is one thing, but its practitioners produced some excellent art
The painter who began as a master of modernist abstraction kept reinventing himself right until the end
The Buffalo AKG Art Museum, formerly the Albright-Knox, reopens with a strong sense of civic purpose and a firm commitment to modern art
The painter who defined the experience of modern New York never felt quite at home in the high-rise city
An exhibition examining ‘doubles’ in modern art at National Gallery of Art, Washington D.C. ends up a little out of focus
The Met’s new survey reveals a more dramatic, more political side to the American painter
The movement begun by André Breton in Paris found followers all over the world, but displaying their efforts all together makes for a muddled show
