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Crease from the series 'In the exodus, I love you more' (2014–ongoing), Hoda Afshar. Courtesy the artist; © Hoda Afshar

Hoda Afshar: A Curve is a Broken Line

The Iranian artist’s arresting images illuminate displaced communities and experiences of migration

25 August 2023
The Groom (detail; 1925), Chaïm Soutine. Centre Pompidou, Paris. Courtesy bpk/CNAC-MNAM/Philippe Migeat

Chaïm Soutine: Against the Current

The emigré artist bucked the trends he encountered in 1920s Paris to carve out his own path

25 August 2023

Only the Young: Experimental Art in Korea, 1960s–1970s

How radical new ways of making art emerged in the period following the Korean war

25 August 2023

Taking a Stand: Käthe Kollwitz

Works by the German artist with a lifelong commitment to social justice are juxtaposed with installations by Mona Hatoum

18 August 2023

Jessie Kleemann: Running Time

The Greenlandic artist has spent three decades challenging the colonisation and romanticisation of her homeland

18 August 2023

Eternal Medium: Seeing the World in Stone

The Los Angeles County Museum shows that stone isn’t just a material to be shaped, but also something to be painted upon

18 August 2023

Graphic Design in the Middle Ages

The Getty explores how design considerations shaped the interpretation of medieval texts

18 August 2023

Erwin Wurm: Trap of the Truth

The Austrian artist brings his uncanny wit to the Yorkshire Sculpture Park

11 August 2023

Eckbos Legat: Anniversary Exhibition

The Norwegian non-profit organisation celebrates its centenary with a group exhibition at the Vigeland Museum

11 August 2023

Lindsey Mendick: Sh*tfaced

The Margate-based ceramicist’s large-scale installation takes on binge drinking and public shaming

11 August 2023

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