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African Vision (detail; 1998), Ruth Baumgarte.

Ruth Baumgarte. Africa: Visions of Light and Colour

The German artist drew on her extensive travels through African countries to create works of rare intimacy and power

16 December 2022

Matthew Arthur Williams: Soon Come

The Glasgow-based artist explores ideas of home and belonging at Dundee Contemporary Arts

16 December 2022
Sanjar and the Old Woman (detail), from the Makhzan al-asrâr. Photo: © BnF

The Splendours of Uzbekistan’s Oases

With dazzling and unprecedented loans, the Louvre charts 17 centuries of Uzbekistan’s rich history

16 December 2022

Deconstructing Power: W.E.B Du Bois at the 1900 World’s Fair

The America sociologist challenged the status quo with his radical infographics

9 December 2022
PixCell-Red Deer (2012), Kohei Nawa. National Gallery of Victoria, Melbourne.

Freedom of Movement: Contemporary Art and Design from the NGV Collection

The National Galley of Victoria in Melbourne explores how contemporary artists represent many manners of movement

9 December 2022

Phantoms of the Night: 100 Years of Nosferatu

The Scharf-Gerstenberg Collection in Berlin considers how F.W. Murnau looked to art history to create his groundbreaking horror film

9 December 2022
Winter Ball, Hotel Coulanges, Paris, 30 December 1958. André Ostier, Vicomtesse de Robes and Pierre Celeyron.

The Fest: Between Representation and Revolt

The Museum of Applied Arts in Vienna revels in the history of festive occasions

9 December 2022

Femme Fatale: Gaze – Power – Gender  

The Hamburger Kunsthalle considers how the trope of the seductress has long cast its spell over the history of Western art

2 December 2022

Visions of Naval Might: A Marine Painting for the Great Elector

The Dutch lawyer Olfert de Vrij painted ships as a hobby – but they caught the eye of Prussian royalty

2 December 2022

Guillermo del Toro: Crafting Pinocchio

A behind-the-scenes look at the creative process behind the celebrated filmmaker’s first stop-motion animation film

2 December 2022

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