New wine in old bottles – contemporary art in historical settings
It has become increasingly common for museums to invite artists to respond to their collections, but what kind of connections are we being invited to make?
The pared-down poses of Aristide Maillol
The Musée d’Orsay’s survey of the French sculptor is admirably thorough, but his art was more modern than we’re often led to believe
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What happens when an artist wants to be anonymous?