Richard Martin is Curator, Public Programmes at Tate.
There's no shortage of ideas in Mark Wallinger's psychoanalytically-inspired new show, but it's hardly a walk on the wild side
Never have chaos and excess been presented so clearly and coherently...
The city, unlikely as it seems, is becoming a crucial place to explore contemporary art
Surprisingly, their relationship with Los Angeles was ambivalent at best
This hellish and farcical show at Victoria Miro is not to be missed
'Surround Sounds' is excellent, but not all of Marclay's latest work lives up to the hype
Today’s museums and galleries are increasingly dominated by interactive displays. But do touchscreens, apps and the like enrich visitor experience?
McQueen's elegiac new work asks how we can memorialise a life
Abandoned and neglected sites feature as prominently as those in construction in the Barbican's photography exhibition
