Susan Moore is associate editor of Apollo.
The painter’s society portraits come to life in a well-chosen survey at the Frick
The self-taught painter had a trememdous sense of self-belief, despite being ridiculed in his lifetime. A landmark exhibition confirms him as a singularly modern artist
In the 16th century the French city of Limoges breathed new life into a medieval art, with spectacular results
The country’s art scene isn’t afraid to find time to stop and stare – but it does so with a healthy dose of mischief
James Delbourgo’s new book explores the obsessions of fanatical collectors, both real and fictional
Call them Neo-Impressionists, pointillists or divisionists, the artists who followed in the wake of their older French contemporaries had a distinctive way of seeing the world
The Old Master drawings collector has described herself as ‘an undisciplined cockapoo’ when it comes to buying – but each piece must be of the highest calibre
The French painter was unusual among his Impressionist peers for preferring to depict men at work and at play
The Duke of Richmond has been filling the grounds of his Sussex estate with sculpture, and the results are a breath of fresh air
The four Scottish Colourists brought a much-needed verve to British art, although their avant-garde credentials can be overstated
