The photographer who hated office life
Chauncey Hare was compared to Walker Evans and Diane Arbus, but he came to find the art world as repressive as the corporate world he loathed
Street cred – how Helen Levitt turned a cool eye on life in New York
The photographer recorded life in New York for 70 years without receiving the same acclaim as her male contemporaries, but that seems to be changing
The photographers who wanted their subjects to be heard as well as seen
Radical collectives in the 1970s were keen to make documentary photography more democratic
Martin Parr takes on Brexit Britain
The photographer’s survey of the British at home and abroad takes on a suitably surreal air at the National Portrait Gallery
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Are the art market’s problems being blown out of proportion?