4 things to see
‘Four things to see this week’ is sponsored by Bloomberg Connects, the free arts and culture app that allows you to access museums, galleries and cultural spaces around the world.
Download the app here to explore more.
4 things to see: the coronation of Charles III
From a special ointment to an Aztec stone, we have gathered together a set of essentials to get the new King through his big day
4 things to see: International Dance Day
Art and dance have been engaged in a pas de deux for centuries
4 things to see: Earth Day
How artists have used their practice to document climate change and reflect on our relationship to our planet
4 things to see: the sinking of the Titanic
A telegram sent from the ship and a tobacco pipe owned by a junior engineer are among our pick of objects not to miss this week
4 things to see: the birth of the Internet
From a portrait of Ada Lovelace to digital paintings and installations, we take a look at 4 of the most searching artworks related to the Internet age
4 things to see: April Fool’s Day
Our pick of art about folly that it would be unwise to overlook
4 things to see this week: International Tuberculosis Day
How the deadly disease inspired generations of artists and writers
4 things to see this week: St Patrick’s Day
From James Joyce’s Ulysses to Francis Bacon’s screaming portraits, we’ve picked 4 objects to bring you closer to many myths of Ireland
4 things to see this week: the legacy of the Jesuits
How the society of Jesus became one of the most important religious orders in the history of art
4 things to see this week: International Women’s Day
Our pick of the most powerful works by women artists who have used their practices to champion greater equality
4 things to see this week: the legend of Napoleon
An ornate tea service that was given to the Emperor as a wedding gift and his real-life tomb in Paris are among this week’s highlights
4 things to see this week: Egyptomania
Our hand-picked selection of ancient Egyptian treasures includes a breastplate once worn by an actual pharaoh and a glittering golden crocodile
Are the art market’s problems being blown out of proportion?