Apparently the Angel of the North likes a fresh, cheap baguette
Art isn't therapy. Museums need to diversify. Photography needs a change. A few of the discussions on the blog this week.
Why would one of the most painterly of contemporary painters decide to start issuing screenprints?
Start off with some light Vermeer. Ten reps. Feel you can manage more? Consider moving on to the Dürer
Photographers should produce poetry, not satire
Print collecting, digital catalogues and curator chic... some of the discussions on the blog this week
A curator's work is all about looking, and being looked at
Apollo's April Forum asks whether art market hype affects emerging artists
How should we look at art? A round-up of discussions on the blog this week
Christian art can never be straightforwardly representational
Connoisseurship is still valuable, and many art historians know it
Have we forgotten how to look properly at art?
Antiquities, etiquette and Easter eggs: a round-up of discussions on the blog this week. We also pay tribute to the painter Alan Davie.
A response to Christos Tsirogiannis' post of 2 April on this site about possibly looted antiquities appearing in the London salerooms
Of course we want museums to be accessible, friendly and interesting, but we also have an imperative to protect and preserve
Tiny, fragile, and immensely valuable: the Meiyintang 'Chicken Cup' broke auction records at Sotheby's yesterday
Maria Miller has resigned as UK culture secretary. Perhaps it's now time to rethink the DCMS entirely.
Starr Figura on the overlooked brilliance of Gauguin's prints and transfer drawings
Why have art and science particularly come together in a glorious synergy of exhibitions in 2014?
Francesco Vezzoli's plans to rebuild a 19th-century Calabrese church at New York's MoMA PS1 have been abandoned
Could the art world do more to address the issue of looted and stolen art?
Items from the Tate, V&A and Ashmolean museum are being investigated by the Spoliation Advisory Panel: what is the panel, and what do they do?
In Australia, all of the major national art institutions are run by men, but it's encouraging that women are being recognised
Sjarel Ex explains how the Museum Boijmans van Beuningen acquired a Hammershøi at TEFAF
The Week’s Muse: 3 May
Art isn't therapy. Museums need to diversify. Photography needs a change. A few of the discussions on the blog this week.
Prints and the ‘painterly’ object: Harland Miller’s limited editions
Why would one of the most painterly of contemporary painters decide to start issuing screenprints?
Pointless exercise: Alain de Botton’s ‘Art is Therapy’
Start off with some light Vermeer. Ten reps. Feel you can manage more? Consider moving on to the Dürer
Deutsche Börse Prize: are photographers making the most of the medium?
Photographers should produce poetry, not satire
The Week’s Muse: 26 April
Print collecting, digital catalogues and curator chic... some of the discussions on the blog this week
Curator Chic: are arts professionals the new fashionistas?
A curator's work is all about looking, and being looked at
Forum: Does today’s art market benefit young artists?
Apollo's April Forum asks whether art market hype affects emerging artists
The Week’s Muse: 19 April
How should we look at art? A round-up of discussions on the blog this week
Modern art is not the enemy of religious art – it’s revived it
Christian art can never be straightforwardly representational
Curators, connoisseurship and the art of looking
Connoisseurship is still valuable, and many art historians know it
Look closer: what art historians can learn from museum education
Have we forgotten how to look properly at art?
The Week’s Muse: 12 April
Antiquities, etiquette and Easter eggs: a round-up of discussions on the blog this week. We also pay tribute to the painter Alan Davie.
In Defence of the Antiquities Trade
A response to Christos Tsirogiannis' post of 2 April on this site about possibly looted antiquities appearing in the London salerooms
Museum Etiquette: are there manners in museums anymore?
Of course we want museums to be accessible, friendly and interesting, but we also have an imperative to protect and preserve
Handle with Care: Chinese ‘Chicken Cup’ fetches $36 million at auction
Tiny, fragile, and immensely valuable: the Meiyintang 'Chicken Cup' broke auction records at Sotheby's yesterday
Will the arts world in the UK miss Maria Miller?
Maria Miller has resigned as UK culture secretary. Perhaps it's now time to rethink the DCMS entirely.
Curator’s Notes: ‘Gauguin: Metamorphoses’ at MoMA
Starr Figura on the overlooked brilliance of Gauguin's prints and transfer drawings
Art and science in conversation: why now?
Why have art and science particularly come together in a glorious synergy of exhibitions in 2014?
What should replace the Church of Francesco Vezzoli at MoMA PS1?
Francesco Vezzoli's plans to rebuild a 19th-century Calabrese church at New York's MoMA PS1 have been abandoned
The Week’s Muse: 5 April
Could the art world do more to address the issue of looted and stolen art?
The Spoliation Advisory Panel and Art Restitution Claims
Items from the Tate, V&A and Ashmolean museum are being investigated by the Spoliation Advisory Panel: what is the panel, and what do they do?
Women in art: Australia honours Julie Ewington and Fiona Foley
In Australia, all of the major national art institutions are run by men, but it's encouraging that women are being recognised
Buying for Boijmans: the story behind a recent museum acquisition
Sjarel Ex explains how the Museum Boijmans van Beuningen acquired a Hammershøi at TEFAF