Arthur Hobhouse and Patrick Barstow of New Artists (NA) abandon the gallery in favour of a smallpox-ridden catacomb
Should we have a relaxed attitude to deaccession? James Bradburne and David Ekserdjian debate the topic in Apollo's September issue
If the north of England is to redefine itself as a cultural hub, its funders can't afford to have second thoughts
Barry Humphries pays tribute to Lewis Morley, 'one of the finest photographers of his age' and a personal friend
The story behind Samuel Courtauld's collection of Gauguin paintings is more compelling than the works themselves
Reports of the death of print magazines have been exaggerated. All the same, no magazine can afford to rest on its laurels
There’s a lot of talk about the challenges that digital publishing poses to print; less about how they might complement each other
When will Italian museums do something to improve their websites?
Contemporary artists are harnessing new digital technologies to respond to the Arab Spring
Can a timeless Constable painting hold its own on a busy train platform?
Forum: Deaccession Debates
Should we have a relaxed attitude to deaccession? James Bradburne and David Ekserdjian debate the topic in Apollo's September issue
The New North?
If the north of England is to redefine itself as a cultural hub, its funders can't afford to have second thoughts
Lewis Morley
Barry Humphries pays tribute to Lewis Morley, 'one of the finest photographers of his age' and a personal friend
Gauguin’s Gap Year
The story behind Samuel Courtauld's collection of Gauguin paintings is more compelling than the works themselves
From the Editor
Reports of the death of print magazines have been exaggerated. All the same, no magazine can afford to rest on its laurels
Web Editor’s Welcome
There’s a lot of talk about the challenges that digital publishing poses to print; less about how they might complement each other
Italy’s Digital Ruins
When will Italian museums do something to improve their websites?
Snap Happy
Revolutionary Practices
Contemporary artists are harnessing new digital technologies to respond to the Arab Spring
Art Everywhere
Can a timeless Constable painting hold its own on a busy train platform?