Interviews
‘There’s something suspicious about painting’ – an interview with Joe Bradley
The painter talks about his attachment to black and the three-dimensional quality of his canvases
‘I find myself making growling noises while I’m painting’ – an interview with Walton Ford
The artist’s new body of work reimagines the life and times of the Barbary lion
‘Colour became the subject’ – Phoebe Unwin on her new series of paintings
The artist brightens up the Collezione Maramotti with paintings that blur the line between abstraction and figuration
‘It’s hard at this particular moment to be optimistic’ – Edward Burtynsky on the future of the planet
The Canadian photographer talks about ‘The Anthropocene Project’ and trying to capture the spirit of a new geological epoch
Tania Bruguera on transforming Tate Modern’s Turbine Hall
The Cuban artist wants people to mingle in the museum – and still believes in the power of political art
‘I’m working with and against painting’ – an interview with Amy Sillman
The American painter discusses the comic impulse, landline phones, and her love/hate relationship with painting
‘I paint for my sanity’ – an interview with Mary Corse
The painter talks about her formal experiments and the importance of being self-sufficient
‘The space has an otherworldly quality’ – Stuart McKnight on Westminster Abbey
A conversation with Stuart McKnight of MUMA, the architects responsible for the new galleries in the triforium at Westminster Abbey
Stones, scrolls and the mysteries of the universe – an interview with Michelle Stuart
The American artist looks back on half of a century of working in and with the landscape
Edmund de Waal looks back at his early porcelains
An interview with the British ceramicist, who reflects on a formative relationship with a collector of his art
‘I’ve always insisted on remaining an artist’
Sam Gilliam has consistently challenged the traditional premises of painting. As he tells Apollo, his need to make art is as urgent as ever
Chantal Joffe on painting, pastel and parenthood
An interview with the British artist, renowned for expressive portraits of family, friends and fellow artists
Christian Boltanski expands his repertoire
The French artist explains why organising a retrospective is like rustling up a meal
‘Every work I create is a mathematical dream’ – an interview with Beatriz Milhazes
Beatriz Milhazes discusses colour, craft, and collaboration – and what her work owes to her native Brazil
‘It feels like the sculptures have landed on the roof’
Huma Bhabha discusses sci-fi, politics and her Roof Garden Commission for the Metropolitan Museum of Art
‘My sculptures don’t exist in a vacuum’
Eva Rothschild talks about her work and influences – from minimalism to Ireland’s coastal landscapes
‘I don’t call myself a printmaker’ – an interview with Christiane Baumgartner
Christiane Baumgartner uses the very traditional medium of the woodcut to capture the complexity of the modern world
‘It’s a record of my life, translated into art’
An interview with Joan Jonas, on the occasion of the artist’s major retrospective at Tate Modern
‘We want to get people involved in their city’
Judikje Kiers, director of the Amsterdam Museum, on the museum’s expansion plans and its TEFAF loan exhibition
Light, fire and smoke – an interview with Anthony McCall
Anthony McCall talks about sculpting with materials such as light and fire – on view in Wakefield and London
Robert Wilson creates a feast for the senses
The celebrated theatre director and artist explains his approach to creating exhibitions
‘This exhibition is about forces enacted on the body’
George Henry Longly discusses his exhibition at the Palais de Tokyo, which features eight Japanese armours
‘Painting has its own identity’ – an interview with Giorgio Griffa
The Italian painter discusses music, poetry and the unfinished nature of his art
‘There is an element of optimism in my work’
Rasheed Araeen talks to Apollo about six-decades of making visually arresting and politically engaged art
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