Anthony McCall talks about sculpting with materials such as light and fire – on view in Wakefield and London
The celebrated theatre director and artist explains his approach to creating exhibitions
George Henry Longly discusses his exhibition at the Palais de Tokyo, which features eight Japanese armours
The Italian painter discusses music, poetry and the unfinished nature of his art
Rasheed Araeen talks to Apollo about six-decades of making visually arresting and politically engaged art
Ralph Rugoff, the director of the Hayward Gallery, explains what the revamped brutalist building has to offer artists and audiences
Polly Apfelbaum talks about bodies – human and mythic – in her new show at Frith Street Gallery
Mark Handforth discusses his commission for the ICA Miami's new home – and the city's thriving art scene
R.H. Quaytman talks to Apollo about the problems and possibilities of painting
Susan Philipsz talks about her new work at BALTIC, dismantling an opera about space, and the power of the human voice
Ilya and Emilia Kabakov are a formidable artistic partnership, whose work takes a piercing look at life in the Soviet Union
Nathalie Du Pasquier talks about trying something different at the Camden Arts Centre, and the difference between art and design
'I started painting these triangles and turning them into pies. I thought, “My God! I’m done in! Nobody will ever take me seriously!”'
Pioneering conceptual artist David Lamelas on space, identity, and taking advice from Anthony Caro
Carolee Schneemann talks about capturing the moment – and explains why 'performance art' is a demeaning term
Raqib Shaw discusses working in silence, the perks of porcupine quills, and how his native Kashmir inspired his love of detail
Frank Bowling has been experimenting with paint for six decades – but it still surprises him
Wim Delvoye discusses merde-making machines, mass production, pig tattoos and Europe's messy future
The possibilities of paint are inexhaustible, says the German artist Markus Lüpertz
How Spencer Tunick turned public nakedness into art – while avoiding the police
'Letting Murano glass die is like allowing the Colosseum to collapse'
Chris Killip's photographs of the north of England are as relevant today as they were 30 years ago
Carol Bove on Alberto Giacometti, the Venice Biennale, and being 'spiritually Swiss'
The American artist is a maverick, especially in the world of printmaking
