Interviews

Julian Raby, director of the Smithsonian’s Freer and Sackler galleries, speaks to Apollo

‘I have selected some objects that both resonate with me and also with one another’

‘I never feel accomplished’

Boris Vervoordt on living with art and ‘leaping into the void’

Doug Fishbone hid a cheap Chinese replica in the Dulwich Picture Gallery and hardly anybody noticed

When people talk about the ‘avant-garde’, they don’t normally have television in mind

Hannah Gregory meets Kader Attia ahead of a major retrospective of his work in Lausanne

The fundraising exhibition and auction has emerged, somewhat paradoxically, as a highlight in the gallery’s programme

The Corning’s new wing dedicated to new developments in glass art and design opens this week

Nearly 50 years ago, Richard Long transformed a simple walk into a radical act. The artist talks to Apollo about mud and mark-making, his new prints, and why he can’t stop walking

It’s now possible to buy exact replications of Van Gogh paintings from the Van Gogh Museum. How are they produced, and why?

Axel Rüger talks to Apollo about the Van Gogh Museum in Amsterdam, an enterprising institution that combines popular appeal with groundbreaking research

Giles Hutchinson Smith on Mallett’s long history, moving to Ely House, and his star exhibits at TEFAF

Michael Beck of Beck & Eggeling discusses the gallery, collecting, and the state of the art market

We spoke to Adélia Sabatini and Joséphine Seblon about the programme

PAMM curator Tobias Ostrander chooses one key painting from the new Tàpies retrospective in Miami

As a survey of Lynda Benglis’s work opens at the Hepworth Wakefield, the artist talks to Imelda Barnard about her 40-year career

As we wait to hear the winner of this year’s prize, director Karen MacKinnon discusses the shortlisted works and what they mean to her