Reviews
The shuttered memories of Janet Malcolm
The attempts of the master journalist to focus on her own past are as intriguing and oblique as the rest of her work
In his room – the retiring art of Giorgio Morandi
A show of paintings belonging to his most important patron reflects the artist’s quietly spirited side
Peter Doig’s pick-and-mix approach to painting
The Courtauld’s show of recent works may be uneven but, at his best, the artist is more than capable of rubbing shoulders with the greats
When the wearing of white is a morally grey affair
The non-colour may convey notions of innocence and idealism, but it can also denote a darker side
A right royal dog show
Do photographs of the late Queen’s corgis at the Wallace Collection truly represent the depth of her devotion to this best of all breeds?
Vast paintings of London prove that size isn’t everything
The Guildhall’s display of scenes set in the City is a minor curiosity rather than a major diversion
The haunted paintings of Patricia Hurl
Bold brushstrokes and strong colours add up to a powerful sense of unease in the artist’s cryptically titled portraits of modern Ireland
A Romanian Surrealist is finally fêted at home
Victor Brauner was a leading light of the Surrealist movement but, until now, he has been little known in his native country
Crowd-pleasing art in 17th-century Amsterdam
Aside from the usual refreshments, the city’s taverns offered a highly engineered form of popular entertainment
Ukrainian modernism deserves to be understood on its own terms
The artists of Ukrainian modernism have often been miscategorised as Russian, but an exhibition of avant-garde art seeks to redress the balance
How Spanish is the collection of the Hispanic Society?
Archer Milton Huntington’s collection forms the backbone of the Hispanic Society in New York, but is his vision a hopelessly romantic view from the past?
The Flemish painter who was a dedicated follower of fashion
Theodoor Rombouts was a great assimilator of styles, but he was more than just another of the Caravaggisti
The Elizabethan whodunit that has kept art historians guessing
Has Compton Verney uncovered the identity of the mysterious Master of the Countess of Warwick?
The deliberately difficult art of Pierre Dunoyer
A show in Paris reveals there may be more to the French artist’s paintings than meets the eye
Take a walk on the obscure side of 1980s New York
This curious film about the painter Edward Brezinski suggests that not all forgotten artists are candidates for rehabilitation
How Italy protected its art from the Nazis
An exhibition in Rome recounts the complicated tale of efforts to safeguard masterpieces across the country during the Second World War
Women artists make a radical mess at the Whitechapel Gallery
A crowded display sees some 150 works of Abstract Expressionism clamouring for attention, but perhaps this is the point
Sonia Boyce gets musical in Margate
The artist takes her Golden Lion-winning work celebrating the extraordinary achievements of Black women in music from Venice to the English seaside
The psychedelic ceramics of Redd Ekks
The Norwegian American’s trippy sculptures are cult classics in the making
Learning in style at the Bibliothèque nationale
The French national library’s exceptional collections now have the setting they deserve
An insider’s guide to 18th-century Ireland
Robert O’Byrne reads between the lines of the itemised contents of great Irish houses
Renaissance painting in its prime
David Young Kim’s ingenious study of grounds and figures takes the reader on an unfamiliar journey through familiar territory
Constructive criticism and mid-century modernism
Eero Saarinen’s marriage to the publicist Aline Louchheim tells us a lot about how the architect made his name
Edward Hopper’s fear of heights
The painter who defined the experience of modern New York never felt quite at home in the high-rise city
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What happens when an artist wants to be anonymous?