A show inspired by Alan Turing probes our fascination with technology in a city of industrial importance
The octogenarian's first solo show in a UK institution is a riot of colour and character
An ambitious year-long survey celebrates Modern Art Oxford's great moments since its founding 50 years ago
Review of a groundbreaking study of overlooked 20th-century scholars
An intriguing exhibition in Milan questions which side of a painting we should pay attention to
Towne's watercolours aren't as ground-breaking as they were once made out to be, but they are definitely good enough to merit a revival
'The absence of big names is one of the joys of the exhibition.’ A revelatory display of drawings puts works by lesser-known Netherlandish masters in the spotlight.
Tom Wesselmann's collages show that Pop Art could have a more voluptuous – and thoughtful – side.
Never have chaos and excess been presented so clearly and coherently...
Modern student protest was invented at Berkeley
Two exhibitions in London tackle the role and representation of women in art – with decidedly mixed results
How did the Scottish women who went to progressive art schools fare in a reactionary art world?
The PMA's Indian art galleries may be closed for renovation, but a trio of temporary exhibitions is filling the gap
Lina Bo Bardi's innovative approach to collection display has been revived
Two Paris museums have joined forces to celebrate the work of 165 women photographers
A key figure in the Irish Arts and Crafts movement, the designer should also be seen in the context of European modernism
Today's fragile United Kingdom and Europe are thrown into relief at the British Museum
The sculptor would have approved of the Musée Rodin's sensitive refurbishment
The Italian artist's masterful works fully explore the possibilities of chalk
A new publication by Anne Markham Schulz pieces together the story of the sculptor's oeuvre
An exhibition of Max Beckmann’s early works in Berlin reveal the painter's slow path to maturity, including false starts and missteps as well as successes
The museum's take on ‘Europe 1600–1815’ is nuanced, witty and revelatory
The familiarity of Maurits Cornelis Escher’s work doesn’t make it any easier to interpret, says Will Wiles
Has Andrew Graham-Dixon uncovered the secrets of art history's most enigmatic woman?
