The sculptor Gertrude Hermes has often been overshadowed by her contemporaries, but the first major exhibition of her work in 30 years is a chance to see her more clearly
Uncovering some of the period's forgotten stars
This major solo show reveals just how much Soth's frank stare pervades his photographs
Desire, jealousy, anxiety, fear, fulfilment...it's not easy being a collector
A memorable exhibition at the Grand Palais tells the story of a remarkable artist and independent woman
A contemporary art show in the capital marks 50 years of the National Trust's work on the coast
The BBC is sexing up ceramics in Stoke-On-Trent
Can communication ever quite bridge the gap that separates us?
'It is impossible to paint a portrait', claimed Giacometti, but that didn't stop him trying whenever he went home to his family
This travelling exhibition is a treat for lovers of 18th-century art
Middle Kingdom show 'upends the view that Egyptian art is all the same'
The Frankfurt museum ends its bicentenary year with an impressive pairing of works from its permanent collections with ‘eminent guests’ from around the world
Can contemporary art operate critically within such surroundings?
Vasari was wrong: the Venetians could draw after all
An exhibition of Dutch Golden Age paintings presents a newly wealthy society on the make
What would Miró make of his grandson's brand of Surrealism?
Motley is the latest US modernist to be 'rediscovered' recently
It will surely be a critical and popular success, but there's something unashamedly conservative about the staging of this show
This hellish and farcical show at Victoria Miro is not to be missed
The bad boy of Britart opens his new gallery with a show devoted to abstract painter John Hoyland. Is he trying to atone for his artistic sins?
Camden Town, Venice...and Dieppe. Pallant House explores a forgotten influence on Walter Sickert's art
Tramway's a great place for it. Plus, two out of four of the exhibits are less navel-gazing than last year
Schama's delivery saves the first episode from homely tackiness
Koons is nothing if not fearless to invite comparison with the greatest Renaissance artists.
