'Missionaries and Idols in Polynesia' at SOAS reviewed
Curator Carolyn Christov-Bakargiev sees art as a way of 'shaping the souls of people' for the better
Five highlights from Carolyn Christov-Bakargiev's programme, which dwells on its location's history
Who cares whether it’s parochial? The Travelling Gallery exhibition is a fun and engaging idea
‘LOOK INTO THE CAMERA’ barked the security guard, unsmiling
A reflection on how surrealism left the centre stage
Too many masterpieces from this collection are stuck in storage
The 'American Bar' comes to America...as an art installation
‘What would you do if you saw Picasso walking in front of you down Piccadilly?’ Sir Alfred Munnings asked Winston Churchill
It's a patchy programme this year, but a few projects stand out
Since Vasari's day, Piero has been treated as if he were a primitive ‘outsider’ artist
See everyday objects enshrined in copper wire, and contribute to Alice Anderson's latest work yourself
Louis XIV's tercentenary commemorated in exhibitions around the world
The 18th-century artist's self-portraits are a remarkable exercise in self-scrutiny.
A major retrospective of Joseph Cornell's work presents a stay-at-home artist who was obsessed with travel.
It's time to rediscover France's answer to Correggio
Thrilling and thoughtful work by an Angolan collective puts shows by Marc Quinn and Joseph Cornell in the shade
Announcing the Prix Pictet shortlist; Adam Buck at the Ashmolean museum; Impressionism comes to Philadelphia
The prize has come up for criticism this year, as it always does. But there's still merit in it
This is the best version yet of an impressive exhibition
The many faces of Audrey Hepburn; Agnes Martin's journey into white; Duane Hanson's extraordinarily lifelike sculptures; and wonderful watercolours from the Fitzwilliam Museum
This show proves that the medium is far more versatile than people think
The National Portrait Gallery celebrates the woman who Cecil Beaton called 'a new icon of femininity'
Martin's progress towards white paintings reflects Rothko's meditative march towards black
