Reviews

Tapestries in the Prado, the Getty and the Met; Deller’s take on Warhol and Morris; and immersive works by both Pipilotti Rist and Moholy-Nagy

Thanks to a meticulous and inventive renovation project, the US now has a really good national museum of design

Rist’s work is overtly sensual, and places the visitor’s own body at its centre

Today’s museums work hard to develop interactive, immersive and sensory displays: but Moholy-Nagy got there first

Now is the time to see some of the most spectacular tapestries around

All three artists emerge as experts in self-branding. On the whole, I’m sold

Moroni’s self-conscious sitters; Warhol’s ephemera; and Sugimoto’s deceptive diaoramas

Last week brought two shows to London that claim to present the scope of new contemporary art being made in…

Sugimoto’s photographs of museum dioramas draws attention to the deceptive potential of photography and art

Art education has come a long way since the 1950s. Is the Basic Design ‘revolution’ a little dated?

A small but powerful collection of Nevinson’s visions of war

Warhol not only made art about mass consumption, he made art for mass consumption too

Moroni is a master of fine fabrics and awkward expressions

Paul Nash’s watercolours; Manet and contemporary art; photographers’ contact sheets; and Beatrice Gibson’s disorderly films

Gibson’s disorderly video picks up and plays with William Gaddis’s biting satire of a book, ‘JR’

It’s riveting to see the choices and accidents that produced some of history’s most iconic photographs

For the first time, the permanent collection at Leighton House is being cleared for a display of Victorian art

A little known 19th-century Norwegian painter is being touted as a ‘forerunner of modernism’

Manet’s ‘Execution of Maximilian’ is lost in the midst of so much contemporary art

Piano Nobile’s show introduces the ‘war artist’s peacetime work

Mannequins in the Fitzwilliam Museum; Cubism at the Met; chickens in the crypt

One participating artist will win the Artes Mundi Prize, but this year the focus is on the exhibition as a whole