Exhibition reviews and previews: Bill Viola at Auckland Castle; Pablo Bronstein at Nottingham Contemporary; Joseph Cornell at the Royal Academy
Having Bill Viola open proceedings this summer is a real coup
The fashion for copies at the Prada Foundation; Ravilious at the Dulwich Picture Gallery; and interview with Shirin Neshat, and more
Authenticity is out of fashion
Tate's 'Fighting History' is a failure: if you want proper history, see Ian Hamilton Finlay's Revolutionary work at Victoria Miro
The artist's reputation is growing
How did artists respond to Waterloo? Does Finland have too many artists? How does performance fit into a museum collection?
Frida Kahlo in the garden; highlights from Art Basel; sculpture in Oslo; and Dan Holdsworth's dizzying photographs
The scientific made spiritual
Changing Norwegian attitudes to privately-funded art
Corin Sworn has filled the space with costumes and props inspired by the Italian Commedia dell'Arte
Everything in Struth’s shots seems to have taken on a level of aggression
Michael Craig-Martin has brightened up the RA Summer Exhibition a bit, but Agnes Martin is truly unmissable at the Tate
She was a colourful character...
In search of sculptures on London's latest art trail; James Turrell heads for Norfolk; transforming Met and the V&A with film
Theatrics at the Met and the V&A
The Line is a great concept, but it's not without teething problems
Helen Mirren stars as Maria Altmann, an émigré Austrian Jew battling to have a painting returned to her after its theft by the Nazis
Grayson Perry takes the stage at Turner Contemporary; the Latona Fountain flashes into life at Versailles; and we take a sneak peek at some treasures of 'Gold and Ivory'
For once, the influential artist's work is left to speak for itself
Is London's attention shifting away from Italian art?
Beautiful example of medieval painting, sculpture and decorative arts on show at the Louvre-Lens Museum
Homages to plaster casts and Portland stone; Chris Burden's wonderful final work; plus, 'has David Hockney been at the ketamine?'
Words and writing were as much a part of Basquiat's art as his visual imagery
