The Royal Academy's exhibition presents Moroni’s portraits in their wider context
An exhibition of drawings by Renaissance sculptors provides valuable insights into both mediums
Toulouse-Lautrec at MoMA; Shostakovich's ballet at GRAD; Walid Raad in Hamburg; and photographs at the Science Museum
Two of Raad's career-defining projects reveal the balance of rigorous research and subtle wit that informs his work
Shostakovich's 1931 ballet was pulled from Russian theatres after just one performance; now, a show in London tried to bring it back
There's a second talented Parisian on show at the MoMA this winter
Some fascinating exhibitions in the UK, Europe and USA are closing in early January. Last chance...
The Science Museum's Media Space hosts another excellent display
The Queen's Gallery's latest exhibition brings together some exquisite items, but what of their cultural and political context?
As data increasingly migrates to the cloud, so art scholarship goes digital
The Winchester Bible in New York; tapestries at the Getty; and war photography at Tate
The Met's display of pages from one of the UK's most extraordinary manuscripts is a small but perfect show
Tate's exhibition aims not to shock, but to contemplate the lasting effects of conflict on the people and places affected
One of Poland’s most highly regarded living artists presents mesmerising large canvases of shimmering colour
Designed by Rubens at the height of his career, these exuberant tapestries are remarkably painterly
Tapestries in the Prado, the Getty and the Met; Deller's take on Warhol and Morris; and immersive works by both Pipilotti Rist and Moholy-Nagy
Thanks to a meticulous and inventive renovation project, the US now has a really good national museum of design
Rist's work is overtly sensual, and places the visitor's own body at its centre
Today's museums work hard to develop interactive, immersive and sensory displays: but Moholy-Nagy got there first
Now is the time to see some of the most spectacular tapestries around
All three artists emerge as experts in self-branding. On the whole, I'm sold
Moroni's self-conscious sitters; Warhol's ephemera; and Sugimoto's deceptive diaoramas
Last week brought two shows to London that claim to present the scope of new contemporary art being made in two overlapping locations: the UK and its capital. The first – ‘Bloomberg New Contemporaries’ at the ICA (until 25 January 2015) – is a large, rambling exhibition spread over two floors of Carlton House Terrace […]
Can treatment of flesh in sculpture only aspire to a condition of deadness?
