Stained pink, Mosse's film from the Democratic Republic of Congo takes on a nightmarishly surreal aspect
Some of the world's most significant modern artists experimented with textile design
'...to be iconoclast is also a gesture of respect, of devotion.’
Quick to use and extremely versatile, pastels were very popular in 18th-century Britain. Are we seeing a revival?
Post-Communist Transylvania collides with the neon-fronted buildings of free market California
Review of 'Degenerate Art' at the Neue Galerie, New York
A round-up of the week's reviews: Anselm Kiefer, Phyllida Barlow, Camille Henrot and sustainable art
Barlow's wonderfully wobbly looking monoliths are powerful but unpretentious
French artist Camille Henrot’s first solo UK exhibition at Chisenhale Gallery is like asking a question and receiving a million answers
A round-up of the week's reviews: Paris, paintings, and two very different types of print
The Architecture Foundation's latest display looks at models of sustainability in architecture. Are visual artists keeping up?
A winningly eccentric exhibition of contemporary painting
The chiaroscuro woodcut prints in this exhibition are technically brilliant and visually beautiful. The only thing they lack here is context
Marville found glimpses of the Romantic sublime in Haussmann-era Paris. His photographs at the Met are not to be missed
In Apollo's March issue we previewed Salon du Dessin, which opens tomorrow at the Palais de la Bourse, Paris
How do you like your Georgians? William Kent's designs come with a liberal coating of gilt
This exhibition about Clemenceau's enthusiasm for Asian art is little short of revelatory
A round-up of the week's reviews: murals, ruins, maps and charts, and contemporary responses to historic art...
The current Piranesi exhibition at Sir John Soane's Museum raises interesting questions about original artworks and their reproductions
Yinka Shonibare's work at the Barnes Foundation is both entertaining and deeply reflective
Nilima Sheikh's extraordinary paintings need more introduction than they are given here
It's been billed as 'the broadest and most diverse' Whitney Biennial to date, and the enormous variety of this year's display is no bad thing
Some of Maastricht's masterpieces are easily overlooked
We tend to forget how good art and design can be at communicating big ideas, and, it turns out, big data
