A winningly eccentric exhibition of contemporary painting
The chiaroscuro woodcut prints in this exhibition are technically brilliant and visually beautiful. The only thing they lack here is context
Marville found glimpses of the Romantic sublime in Haussmann-era Paris. His photographs at the Met are not to be missed
In Apollo's March issue we previewed Salon du Dessin, which opens tomorrow at the Palais de la Bourse, Paris
How do you like your Georgians? William Kent's designs come with a liberal coating of gilt
This exhibition about Clemenceau's enthusiasm for Asian art is little short of revelatory
A round-up of the week's reviews: murals, ruins, maps and charts, and contemporary responses to historic art...
The current Piranesi exhibition at Sir John Soane's Museum raises interesting questions about original artworks and their reproductions
Yinka Shonibare's work at the Barnes Foundation is both entertaining and deeply reflective
Nilima Sheikh's extraordinary paintings need more introduction than they are given here
It's been billed as 'the broadest and most diverse' Whitney Biennial to date, and the enormous variety of this year's display is no bad thing
Some of Maastricht's masterpieces are easily overlooked
We tend to forget how good art and design can be at communicating big ideas, and, it turns out, big data
Ruination is a condition of modern life. An exhibition at Tate Britain explores its enduring appeal
Restoration work on the painting has revealed some interesting facts, and debunked some myths
A round-up of the week's reviews: Beautiful bronzes, Cézanne and the Modern, abstract drawings, Bill Viola, and Asian art
A roundup of highlights from Asia Week New York which runs from 14–22 March
Meditative and mysterious, Bill Viola's video work asks timeless questions
Deacon stretches the concept of drawing well beyond the flat page
A small but exceptional display of bronzes from the Hill Collection
A round-up of the week's reviews: women artists, kinetic art, Korea, spambots, keywords, the First World War and Futurism
The sheer scale of the Guggenheim's display makes it impossible to box Futurism into its usual uneasy categories
This thoughtful and thought-provoking exhibition gives the war a human face
'Keywords' is a great idea for an exhibition, but it's easy to lose some of the threads in the display
