As AI image-generating tools become increasingly sophisticated, the way in which we perceive images is changing. Should we fear such tools or embrace them? This question is at the heart of this exhibition at the Louisiana Museum of Modern Art in Humlebaek, which brings together works that range across art, literature, cultural history, sociology and science to consider creativity in the contemporary world (23 November–1 April 2024). Artists explore our reliance on devices in works such Phone Etchings (2015) by Andrea Büttner, which elegantly maps the movements of fingers across phone screens, while others use digital technologies to produce hybrid selves and mind-bending effects. Find out more on the Louisiana Museum’s website.
Preview below | View Apollo’s Art Diary
Untitled (Self with Little Fur) (1974/2011), Birgit Jürgenssen. Louisiana Museum of Modern Art, Humlebaek
Phone Etching (2015), Andrea Büttner. Photo: © Andrea Büttner/VG Bild-Kunst; courtesy the artist and Hollybush Gardens, London
Ann Craven/Chelsea (1996–98), Aura Rosenberg. Courtesy the artist
Summer Azure (2020), Tourmaline. Photo: Dario Lasagni; courtesy the artist and Chapter NY, New York
Unlimited access from just $16 every 3 months
Subscribe to get unlimited and exclusive access to the top art stories, interviews and exhibition reviews.
![Masterpiece [Re]discovery 2022. Photo: Ben Fisher Photography, courtesy of Masterpiece London](http://www.apollo-magazine.com/wp-content/uploads/2022/07/MPL2022_4263.jpg)
Are the art market’s problems being blown out of proportion?