Nothing gets a certain type of viewer more hot under the cravat than anachronisms in period drama – but the best inaccuracies are artistically liberating
Rachel Cohen talks to Apollo about the reissue of ‘A Chance Meeting’, her inventive account of more than a century of artistic endeavour in the United States
What would Jane Austen say?
Nothing gets a certain type of viewer more hot under the cravat than anachronisms in period drama – but the best inaccuracies are artistically liberating