A very proud Mary in Florence
The fantasies of Henry Fuseli
Art in the time of the AIDS crisis
Can contemporary art be funny?
Plus: reframing the Fitzwilliam Museum, a brief history of mulled wine, what’s next for NFTs and, in reviews: the triumph of the Tudors, ways of seeing at the Wellcome Collection and the unfashionable art of Ruskin Spear
What would Jane Austen say?
Nothing gets a certain type of viewer more hot under the cravat than anachronisms in period drama – but the best inaccuracies are artistically liberating