A very proud Mary in Florence
The fantasies of Henry Fuseli
Art in the time of the AIDS crisis
Can contemporary art be funny?
Plus: reframing the Fitzwilliam Museum, a brief history of mulled wine, what’s next for NFTs and, in reviews: the triumph of the Tudors, ways of seeing at the Wellcome Collection and the unfashionable art of Ruskin Spear
What happens when an artist wants to be anonymous?
An Austrian museum is hosting a show by an unnamed artist – but perhaps this act of secrecy will help us see the work more clearly